TREASURY
RAŠKO & NEVENA
Directed by: Vladislav Nešić
Season 1986/1987
With the sounds of Byrne's vocal and the song, we are on the Road to Nowhere... PATOS set off to a theatrical adventure that continues to this day. Raško and Nevena, a performance that took the inspiration from Romeo and Juliet, spoke about the joy, love and youth problems in Smederevo. The show was generational and inclusive and it actors were punks, cool kids, rockers and Rom - breaker. Interesting fact was its open form of the recruitment of new members, so the play had constantly new parts even after its premiere. The actors played themselves, trying to share that moment of self-awareness through theatrical act with the audience.
HAMLET
Luis Bunuel
Directed by: Branislav Čubrilović
Season
Bunuel's Hamlet was strong, thoughtful and ambitious performance that solidified poetics of PATOS. In those days, it was the proof of the maturity of the newly established theater.
UBU THE KING
Alfred Jarry
Directed by: Branislav Čubrilović
Season
Jarry's King Ubu is a remake of the eponymous cult theater performances of OPS that shook Smederevo and gave birth of a new theater whose PATOS, in many respects, is the spiritual successor.
A CLOCKWORK ORANGE
Anthony Burgess
Directed by: Branislav Čubrilović
Season
The cult movie of Stanley Kubrick, made from the novel by Anthony Francis De Moncy Burgess was inspiration for PATOS to talk about the reality that surrounds us, and pervasive violence that began to be part of all aspects of society.
CABARET OF MULTIPLICATION TABLES
Directed by: Branislav Čubrilović
Season
This cabaret, staged in the shadow of war and division as well as the Bob Foss' one, talked about serious things in a frivolous manner. People laughed, but it was laugh with somewhat constricted throat...
SECRET CONNECTION
Aleksandar Popović
Directed by: Branislav Čubrilović
Season
This is PATOS' homage to Aleksandar Popovic, one of the founders of Avant-garde Theater in Ex Yugoslavia. This was his less famous play, written, directed and conducted with members of his family.
JACK, OR THE OBEDIENCE (THE FUTURE IS IN EGGS)
Eugène Ionesco
Directed by: Gojko Milićević
Season 2000/2001
Ionesco treats individuality as a robot from a distance, conducted by social mechanisms. For him it is an animal governed by instinct and sexual desires. This is a graduation play of young director Gojko Milićević. This play brought "fresh blood" in PATOS and made a generation change.
VENUS AXIS
Branislav Čubrilović
Directed by: Branislav Čubrilović
Season 2001/2002
The play, which tells us a story of someone else's mind and it's passions of erotic dreams. This was the last theater perfomance directed by Branislav Čubrilović.
MOTHER EARTH
Horasio Salinas
Directed by: Horasio Salinas (Mexico)
Season 2001/2002
Theatre of Horasio Salinas is a synthesis of his understanding of traditional Western theater, No theater, Zen meditation and the result is an action stage - a kind of non-verbal, physical theater, mimetic or performing arts. PATOS staged this play in cooperation with the Mexican director. It talks about his obsession with the relationship between man and nature.
THE LITTLE PRINCE
Antoine de Saint- Exupéry
Directed and dramatized by: Sunčica Milosavljević
Season 2006/2007
Why read The Little Prince as post-dramatic text?
Eternal themes such as friendship, love, responsibility and meaningful life for young people have a vital importance in the years of transition from childhood to adulthood, as well as value of judgments that a young man should examine, rethink and adopt.
THE FORT
Marina Milivojević Mađarev
Directed by: Sunčica Milosavljević
Season 2006/2007
The Fort talks about the collision of myth and history, the aspirations of the rulers who are confronted with the fears and hopes of the people, an attempt to elevate the urban from rural, to create state of the country. This struggle is neither easy nor clear, and it indicates some doubt that Serbian society is shaken to this day.
EGO/ALTER EGO
Directed by: Miljan Guberinić
Season
This is not a theater performance. This is an empirical project of subjective human drama.
INDIVIDUAL = | EGO | + | ALTER EGO |
Our blindness caused by (UN) willingness or (UN) consciousness of (none) observation of what comes to the mind, slows down or completely paralyze our ability to act.